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The story Tommy DeVito (Joe Pesci) tells his friends is based off of a real Academy Award for best supporting actor for his role in "Goodfellas.


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"Casino" is a American epic crime drama film directed by "Martin Scorsese" and starring "Robert De Niro, Joe Pesci & Sharon Stone". Casino was released.


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"Casino" is a American epic crime drama film directed by "Martin Scorsese" and starring "Robert De Niro, Joe Pesci & Sharon Stone". Casino was released.


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Casino () Joe Pesci as Nicky Santoro. I mean he had me, Nicky Santoro, his best friend watching his ass. And he had Ginger, the woman he loved on his.


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Few can dish it — and take it — like Joe Pesci. in "Casino," Nicky picks up the pen that started the confrontation and abruptly ends it.


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Jean-Pierre Melville's gangsters stalk the Parisian backstreets in trenchcoats and trilbies, shoulders weighted with existential angst. It's the Shakespearean mirror-image to Scorsese's mob masterwork, telling the giddy rise-and-fall tale of ultra-smooth mafia honcho Sam "Ace" Rothstein Robert De Niro. So proclaimed the tagline to Arthur Penn's blistering lovers-on-the-lam epic. It's their very ordinariness that makes them, in the world of gangster movies, extraordinary. Topics Total Film.{/INSERTKEYS}{/PARAGRAPH} There's no dilly-dallying, but there's still a lot of time spent on the details. This is about as sexy and red-blooded as murder gets. It's a supercool tale of romance, firearms, and how to floor it when you've got half the state on your tail. Even bigger and bolder than Goodfellas, Casino might be a bit long, but it has more swearing and a better tailor. These bad guys are chic. He's parachuted in as the new boss of Vegas Tangiers casino, and lives the high-life for a while, until his efforts are thwarted by his psychotic pal Joe Pesci, inevitably and troubled wife Sharon Stone. {PARAGRAPH}{INSERTKEYS}They're young. Current page: Page 3. Watching the film feels like bearing witness to the bitter demise of 60s idealism, grafted onto the story of Warren Beatty and Faye Dunaway's eponymous natural born killers cheerily pillaging their way across sun-dappled, Depression-era America. You really won't see another gangster film like it. They're in love. It's not. Plus, we get to see Joe Pesci's pen-stabbing lesson to some unlucky guy who disrespects Robert De Niro. Gem Seddon. And they kill people! It's more concise than the directors' earlier hoodlum flicks. Jean-Paul Belmondo, a whole new style of movie star with his boxers nose and thick lips, is Michel, a petty thief who kills a cop down south and heads for Paris to look up Patricia Jean Seberg , an American student. Please deactivate your ad blocker in order to see our subscription offer. Le Samourai regards criminal activity - like Delon stealing a Citron in the virtuoso opening - with an obsessive eye for detail. It's perhaps most fondly-remembered for that bullet-riddled finale; despite its cinematic excess, it's desperately tragic. It's a unique fuck-you to the film establishment of the time - with very cool hats. Sounds grim, doesn't it? Michel's US-gangster pose is lifted straight from Jean-Pierre Melville who takes a cameo role but the jump-cuts, hand-held camera, improvised jazz score and quirky shifts of pace and mood are all Godard. Even on the run, Alain Delon's hitman looks like he's just stepped out of a photoshoot. Tarantino winds their tale together with several different stories, all told out-of-order, and creates a modern masterpiece. As Roger Ebert once said, modern movies begin here. A movie where it's perfectly acceptable for an entire act to be spent on two LA mobsters getting schooled in cleaning a brain-splattered car. There always has to be some sort of satire on the American lifestyle. See comments.